Peter Voulkos

 

artist bio

press

2007
Andréani, Carole, “Peter Voulkos: Naissance de la Céramique Américaine,” La Revue de la Céramique et du Verre, (France), March-April 2007, pp. 26-33, ill. pp. 26-33, cover ill.
Autio, Rudy, “Peter Voulkos, Potier” La Revue de la Céramique et du Verre, (France), March-April 2007, pp. 34-39, ill. pp. 34-39.
2002
Knight, Christopher, “Peter Voulkos, 78; Reinvented Ceramics,” Los Angeles Times, February 17, 2002, p. B12, ill.
Smith, Roberta, “Peter Voulkos, 78, a Master of Expressive Ceramics Dies,” New York Times, February 21, 2002, p. A25, ill.
Hamlin, Jesse, “Voulkos Taught by Example,” San Francisco Chronicle, February 25, 2002, p. D2, ill.
Beach, Polly and Rick Berman, “A Tribute to Peter Voulkos,” Clay Times, March/April 2002 p. 7-11, ill. cover ill.
Kerameiki Techni, (Greece), April 2002, cover ill.
“Peter Voulkos 1924-2002, ”American Craft, June/July 2002, pp. 38-41, ill. 
Selz, Peter, “Peter Voulkos,” California Monthly, June 2002, p. 53, ill.
Balistreri, John, “Peter Voulkos - An Affirmation of Art & life,” Ceramics: Art & Perception, (Australia) Issue N. 48, June 2002, pp. 3-8, ill. cover ill. 
Hakkert, Sara, “A Tribute to Peter Voulkos,” Ceramic Art Review, (Israel) 1280°c #4, Summer 2002, inside cover, ill., inside cover, p. 4/11, cover ill.
“Peter Voulkos,” Studio Potter, June 2002, pp. 97-109, ill. 
Kuchta, Ron, “Peter Voulkos -1924-2002: An Appreciation,” Crafts magazine, (England), July/August 2002, pp. 32-35, ill.
2001
Chattopadhyay, Colette, “Peter Voulkos: Clay, Space and Time,” Sculpture, March 2001, pp. 38-43, ill.
Newby, Rick and Chere Jiusto, “The Bray at 50,” American Craft, April/May 2001, pp. 56-61, ill.
Hamlin, Jesse, “In Hands-On Art, the Common Touch,” San Francisco Chronicle, May 2, 2001, pp. B1, B5, ill.
“In Recognition,” Ceramics Monthly, June/July/August 2001, pp. 53, 78, 79, ill.
Held, Peter, ed., A Ceramic Continuum: Fifty Years of the Archie Bray Influence, The Holter Museum of Art, Helena, Montana in association with the University of Washington Press, Seattle and London, 2001, ill.
Levin, Elaine, “Reviews: Peter Voulkos,” American Ceramics, 13/4, 2001, p. 53, ill.
Senska, Frances and Diane Douglas, “Celebrating 50 Years, 1951-2001,” Montana: visitmt.com, 2001, Travel Montana.
Rapaport, Brooke Kamin and Kevin L. Stayton, Vital Forms: American Art & Design in the Atomic Age, 1940-1960, Brooklyn Museum of Art in association with Harry N. Abrams, Inc., NY, 2001, pp. 150, 151, ill.
Princenthal, Nancy and Jennifer Dowley, A Creative Legacy: A History of the National Endowment for the Arts Visual Artists’s Fellowship Program, introduction by Wiliam Ivey, Harry N. Abrams, Inc. Publishers in association with the National Endowment for the Arts, pp. 14, 20, 118, 135, 237, ill
2000
Cooper, Emmanuel, Ten Thousand Years of Pottery, 4th ed., University of Pennsylvania Press, Philadelphia, Pennsylvania, 2000, pp. 296, 297, 298, 316, ill. p. 296.
Kirsch, Elisabeth, “His Experiences Go On: Fifty-Plus Years of Clay Work Haven’t Dulled Peter Voulkos’ Creative Fire,” The Kansas City Star (Missouri), May 26, 2000, p. 36, ill.
Campbell, Deborah Dickson, “Art Reviews: Two Years of Large and Small Work from a Master of Ideas,” Review: Art, Features and News in Kansas City, Missouri, June, 2000 (Vol. 2, #8), p. 32, ill.
Lauria, Jo, et al. Color & Fire: Defining Moments in Studio Ceramics, 1950-2000, Los Angeles County Museum of Art, California, in association with Rizzoli International Publications, Inc., New York, 2000, ill.
Kalina, Richard. “Import/Export: Odysseus’s Progeny,” Art in America, September 2000, pp. 60-63, ill. 
Peterson, Susan, Contemporary Ceramics, Watson-Guptill Publications, New York, 2000, ill. p. 37.
Bevan, Katy, “Liberating Clay” Ceramic Review (London), No. 186, November/December 2000, pp. 38-41, ill.
Barron, Stephanie et al. Made in California: Art, Image and Identity, 1900-2000, Los Angeles County Museum of Art and the University of California Press, 2000, pp. 36, 185, ill.
Benezra, Neal et al. Celebrating Modern Art: The Anderson Collection, San Francisco Museum of Modern Art in association with the University of California Press, Berkeley, 2000, ill.
1999
The American Art Book, Phaidon Press Limited, London, 1999, p. 467, ill.
Burgard, Timothy Anglin, The Art of Craft: Contemporary Works from the Saxe Collection, Fine Arts Museums of San Francisco and Bulfinch Press, Little, Brown and Company, 1999, pp. 22-27, 269, ill. pp. 136-139. Catalogue.
di Rosa, Rene and Richard Reisman, Local Color: the di Rosa Collection of Contemporary California Art, Chronicle Books, San Francisco, 1999, pp. 178-179, ill.
Slivka, Rose, “The Dynamics of Destruction,” Art in America, January 1999, pp. 84-88, ill.
Drohojowska-Philp, Hunter, “Breaking Ground Still Fires Him Up; In the ’50s, Peter Voulkos Rewrote the Rules of Ceramics,” Los Angeles Times, November 14, 1999, p. 62, ill. 
Knight, Christopher, “Peter Voulkos’ Vessels Stack Up as Monumental Gems,” Los Angeles Times, November 26, 1999, p. F-25, ill. 
Danto, Arthur C. and Janet Koplos, Choice from America: Modern American Ceramics, Het Kruithuis, Museum of Contemporary Art, ’s-Hertogenbosch, Netherlands, 1999, pp. 9-12, 17-18, 133, ill. pp. 16, 19, 104, 105, 106, 107, 133.
1998
Belgrad, Daniel, The Culture of Spontaneity: Improvisation and the Arts in Postwar America, University of Chicago Press, 1998, pp. 5, 11, 42, 165, 166, 1771-73, ill. p. 172.
Moure, Nancy, Dustin Wall, California Art: 450 Years of Painting and Other Media, Dustin Publications, Glendale, California, 1998, pp. 325, 342, 358, 551, ill.
Munsterberg, Hugo and Marjorie, World Ceramics: From Prehistoric to Modern Times, Penguin Studio Books, New York, New York, 1998, p. 169, ill.
Fuchs, Rudi, Liesbeth Crommelin and Job Meihuizen, Ceramics in the Stedelijk, Stedelijk Museum, Amsterdam, Netherlands, 1998.